By Alhaji Arems
Veteran Fuji artist Taiye Currency has sparked widespread reactions with his latest commentary on the Fuji music scene, captured in his new slang, Elo So Loja, which translates to “The Bitter Truth.” In this candid expression, Taiye Currency addresses a long-standing practice within the Fuji industry—how up-and-coming artists often emulate established acts as they climb to stardom. While many have perceived this as standard, Taiye’s remarks have drawn attention due to the mention of two iconic Fuji stars: Sefiu Alao and Pasuma Wonder.
At the heart of the discussion, Taye Currency points to a trend in the Fuji industry where newer artists, in their quest for success, mimic the style of predecessors. Sefiu Alao, for instance, was accused of copying Aare Sir Shina Akanni, while Pasuma Wonder, another celebrated figure, was alleged to have drawn inspiration from Obesere. This emulation, Awua argues, is an accepted part of the Fuji journey and not necessarily a sign of disloyalty or lack of originality.
However, Taiye Currency has found himself under scrutiny, with some accusing him of being disloyal to Pasuma Wonder, a fellow Fuji legend with whom Taiye has shared a longstanding relationship. Detractors, particularly those driven by “eye service” (acting out of pretense or seeking approval), have twisted his statements, branding them as disloyal. Taiye, however, insists that his words were not meant to disrespect anyone, including Pasuma. Instead, he is simply presenting the facts of how the Fuji industry operates—where artists often mirror those before them as they develop their own unique styles.
With over 30 years in the Fuji industry and at 50 years old, Taiye Currency is not just a bystander in the Fuji scene but a respected voice of experience. He has witnessed the evolution of Fuji music firsthand and speaks from a position of authority. His intention with Elo So Loja was not to stir controversy but to shed light on a reality that many Fuji enthusiasts are well aware of: imitation is often part of the process, and it eventually leads to individuality and success.
Apesin also emphasized his loyalty to Pasuma Wonder, stating that no Fuji artist has been more devoted to the Fuji icon than he has. Their mutual understanding, Taiye notes, should dispel any doubts about his allegiance. In his own words, Baba Honourable asserts that truth, while bitter, must be told, and speaking that truth should not be mistaken for disloyalty.
Despite the negative reactions from some quarters, many Fuji die-hard fans have rallied behind The fuji star, appreciating his candor and recognizing the accuracy of his observations. They understand that his statements are not a personal attack but a reflection of the dynamics within the Fuji music industry.
In an industry where tradition, loyalty, and individuality are deeply intertwined, Taiye Currency’s message is clear: the journey to Fuji stardom often involves passing through the shadows of others. This “bitter truth,” as he calls it, is not an indictment of the artists but a testament to how the Fuji scene evolves and grows.
Ultimately, Elo So Loja has opened up a critical conversation about the Fuji music world, and Taiye Currency’s willingness to speak openly about its realities has positioned him as a bold voice in the industry. The truth, no matter how bitter, remains the truth.
