By Taofik Afolabi
The Fuji kingdom has been embroiled in controversy for weeks, with tensions running high among players and fans. The latest spark was ignited by Alhaji Saheed Osupa’s assertion that there are only four ‘Anobis’ in Fuji music: Pasuma, Obesere, Barrister, and himself. However, I firmly believe that Osupa overlooked a crucial figure – Alhaji Sulaiman Adio Atawewe.
Atawewe’s credentials make a strong case for his inclusion among the ‘Anobis.’ Firstly, he was affectionately known as “Wewe Anobi” long before earning nicknames like Mr. Ronaldo, Mr. Spirit, and Baba Oloye. This moniker, shared with Prophet Sulaiman, predates his recognition as Etu Fuji, the Kingmaker of the Fuji kingdom, bestowed upon him by the late Dr. Sikiru Ayinde Barrister.
Furthermore, Atawewe’s rise to stardom was not facilitated by riding the coattails of any established Fuji singer. Instead, he carved out his unique style, distinct from his contemporaries and predecessors. As a dancehall Fuji singer, he pioneered his own dance style, setting him apart from his peers.
Notably, Atawewe revolutionized Fuji music by incorporating piano into his compositions, accompanied by innovative vocal echoes. This groundbreaking approach cements his status as a trailblazer.
Considering these achievements, it is imperative that Atawewe be recognized as an ‘Anobi’ in his own right. His omission from Osupa’s list is a glaring oversight. Atawewe is, without a doubt, an unsung hero of ‘Anobi’ in Fuji music.
